Soliloquy

Shifting to a new domain

Posted by: eskay on: February 26, 2009

The time has come to shift, to choose better options. I am shifting my blog from wordpress.com to my personal domain,

http://blog.karthiksankar.com

The new domain gives me immense opportunities to try out various themes, tweak wordpress and make changes so that the blog reflects my character. 

For the time being, I will post new articles in both sites. 

Also visit my Personal Website at http://www.karthiksankar.com which will be ready soon…

In One Ear and Out The Other

Posted by: eskay on: March 28, 2009

I recently read an interesting article in The New York Times. The article provides answers to many intriguing questions emerging in our brain…

IN ONE EAR AND OUT THE OTHER
Article by Natalie Angier, Published: March 16, 2009, NY Times

By all accounts, my grandfather Nathan had the comic ambitions of a Jack Benny but the comic gifts of a John Kerry. Undeterred, he always kept a few blank index cards in his pocket, so that if he happened to hear a good joke, he’d have someplace to write it down.

How I wish I knew where Nathan stashed that deck.

Like many people, I can never remember a joke. I hear or read something hilarious, I laugh loudly enough to embarrass everybody else in the library, and then I instantly forget everything about it — everything except the fact, always popular around the dinner table, that “I heard a great joke today, but now I can’t remember what it was.”

For researchers who study memory, the ease with which people forget jokes is one of those quirks, those little skids on the neuronal banana peel, that end up revealing a surprising amount about the underlying architecture of memory.

And there are plenty of other similarly illuminating examples of memory’s whimsy and bad taste — like why you may forget your spouse’s birthday but will go to your deathbed remembering every word of the “Gilligan’s Island” theme song. And why you must chop a string of data like a phone number into manageable and predictable chunks to remember it and will fall to pieces if you are in Britain and hear a number read out as “double-four, double-three.” And why your efforts to fill in a sudden memory lapse by asking your companions, “Hey, what was the name of that actor who starred in the movie we saw on Friday?” may well fail, because (what useless friends!) now they’ve all forgotten, too.

Welcome to the human brain, your three-pound throne of wisdom with the whoopee cushion on the seat.

In understanding human memory and its tics, Scott A. Small, a neurologist and memory researcher at Columbia, suggests the familiar analogy with computer memory.

We have our version of a buffer, he said, a short-term working memory of limited scope and fast turnover rate. We have our equivalent of a save button: the hippocampus, deep in the forebrain is essential for translating short-term memories into a more permanent form.

Our frontal lobes perform the find function, retrieving saved files to embellish as needed. And though scientists used to believe that short- and long-term memories were stored in different parts of the brain, they have discovered that what really distinguishes the lasting from the transient is how strongly the memory is engraved in the brain, and the thickness and complexity of the connections linking large populations of brain cells. The deeper the memory, the more readily and robustly an ensemble of like-minded neurons will fire.

This process, of memory formation by neuronal entrainment, helps explain why some of life’s offerings weasel in easily and then refuse to be spiked. Music, for example. “The brain has a strong propensity to organize information and perception in patterns, and music plays into that inclination,” said Michael Thaut, a professor of music and neuroscience at Colorado State University. “From an acoustical perspective, music is an overstructured language, which the brain invented and which the brain loves to hear.”

A simple melody with a simple rhythm and repetition can be a tremendous mnemonic device. “It would be a virtually impossible task for young children to memorize a sequence of 26 separate letters if you just gave it to them as a string of information,” Dr. Thaut said. But when the alphabet is set to the tune of the ABC song with its four melodic phrases, preschoolers can learn it with ease.

And what are the most insidious jingles or sitcom themes but cunning variations on twinkle twinkle ABC?

Really great jokes, on the other hand, punch the lights out of do re mi. They work not by conforming to pattern recognition routines but by subverting them. “Jokes work because they deal with the unexpected, starting in one direction and then veering off into another,” said Robert Provine, a professor of psychology at the University of Maryland, Baltimore County, and the author of “Laughter: A Scientific Investigation.” “What makes a joke successful are the same properties that can make it difficult to remember.”

This may also explain why the jokes we tend to remember are often the most clichéd ones. A mother-in-law joke? Yes, I have the slot ready and labeled.

Memory researchers suggest additional reasons that great jokes may elude common capture. Daniel L. Schacter, a professor of psychology at Harvard and the author of “The Seven Sins of Memory,” says there is a big difference between verbatim recall of all the details of an event and gist recall of its general meaning.

“We humans are pretty good at gist recall but have difficulty with being exact,” he said. Though anecdotes can be told in broad outline, jokes live or die by nuance, precision and timing. And while emotional arousal normally enhances memory, it ends up further eroding your attention to that one killer frill. “Emotionally arousing material calls your attention to a central object,” Dr. Schacter said, “but it can make it difficult to remember peripheral details.”

As frustrating as it can be to forget something new, it’s worse to forget what you already know. Scientists refer to this as the tip-of-the-tongue phenomenon, when you know something but can’t spit it out, and the harder you try the more noncompliant the archives.

It’s such a virulent disorder that when you ask friends for help, you can set off so-called infectious amnesia. Behind the tying up of tongues are the too-delicate nerves of our brain’s frontal lobes and their sensitivity to anxiety and the hormones of fight or flight. The frontal lobes that rifle through stored memories and perform other higher cognitive tasks tend to shut down when the lower brain senses danger and demands that energy be shunted its way.

For that reason anxiety can be a test taker’s worst foe, and the anxiety of a pop quiz from a friend can make your frontal lobes freeze and your mind go blank. That is also why you’ll recall the frustratingly forgotten fact later that night, in the tranquillity of bed.

Memories can be strengthened with time and practice, practice, practice, but if there’s one part of the system that resists improvement, it’s our buffers, the size of our working memory on which a few items can be temporarily cached. Much research suggests that we can hold in short-term memory only five to nine data chunks at a time.

The limits of working memory again encourage our pattern-mad brains, and so we strive to bunch phone numbers into digestible portions and could manage even 10-digit strings when they had area codes with predictable phrases like a middle zero or one. But with the rise of atonal phone numbers with random strings of 10 digits, memory researchers say the limits of working memory have been crossed. Got any index cards?

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JavaFX workshop @ Vortex ‘09

Posted by: eskay on: March 14, 2009

It was a great day at college. 58 students eagerly waiting in the lab to learn a new technology – JavaFX. Vortex ‘09, the technical symposium of the Department of CSE, NITT, was in full swing. As a part of the symposium, a JavaFX workshop was organized by me.

The previous day was a long one which kept me busy learning, looking up sample codes, creating sample tutorials and presentations for the seminar. I tried to familiarize myself with the varied features of the technology. I learnt about how powerful and useful it is. I had prepared four different slides and ten sample codes to elucidate the ease of use of JavaFX.

The workshop was at 2:00 pm. And the sight of such a good turnout for the workshop made me happy. Every participant initially registered at the Open Source University Meetup (OSUM) site, the online community for open source technologies. It was a hands-on workshop, where students could try out programs on Netbeans platform.

workshop in progress

Initially I gave a small talk on opensource technologies and the use of OSUM. Then I proceeded to explain the changing times, the necessity for rich internet applications and the emerge of JavaFX.

Learning of any new technology starts with the famous ‘Hello World’ code. Participants were given the first feel of JavaFX by teaching them to write a small HelloWorld application using JavaFX Script.

Then the basics were explained, which included the concepte like data types, syntax, etc. Classes and Objects, the fundamental blocks of any Java code, were handled in detail. All concepts were explained through sample codes.

I went on to explain how to create and modify various Shapes and their properties. Data Binding and the way the bound values are computed in real time was discussed, with a variety of examples. Then simple transitions were explained, like translation, rotation and shearing of objects.

transformatio of objects explained

Having gained a substantial amount of practice by trying out codes, the students were ready to learn a bit more advanced concepts like effects on objects. event handling, the most important aspect of RIA’s, was demonstrated next. The last topic for the day was animation. Simple animation effects like tweening were explained using sample codes.I ended the seminar by giving them various external links and resources from where they can learn JavaFX.

The response for the workshop was very good. Students were able to follow and understand easily. And it really made me happy when a few participants mailed me back expressing their views on the workshop.

” It was really great and I got a stronghold of the basics of JavaFX now. Thanks.”

This shows that the workshop was a great success..

Peace and Prosperity with Ragas – Part V

Posted by: eskay on: March 10, 2009

[ This series of six posts are excerpts from my Guru, violin maestro (late) Dr. Kunnakudi Vaidyanathan's interview with 'The Hindu'. The therapeutic effect of music has been elucidated ]

ANANDHA BHAIRAVI

My father was the guiding force in my research studies. When he was ill he had more faith in the curative power of  music than the medicines administered to him. I was once preparing to show the remedial power of Ananda Bhairavi. Kannadasan had challenged in public to test his blood pressure after hearing Ananda Bhairavi from my violin.

He had promised to preside over a function but became ill with hypertension. Cajoled by the organisers he reluctantly came  and to my utter surprise requested me to render any raga, which could soothe him. I played Ananda Bhairavi elaborately.

At the close of the concert, Kannadasan came up to the dais and announced that he was feeling much better. Ananda Bhairavi has such soothing effect. Saint Tyagaraja in ‘O, Jagadambha’ prays for the deity’s blessing.

Muthuswamy Dikshitar underlines the importance of concentration and focus in `Manasa guru guha kripam bajare; Maya mama hrith thapam thyajare’ indicating Ananda Bhairavi’s close link to matters of the heart.

Tamil Odhuvar Moorthigal generally use Ananda Bhairavi in rendering Thevaram, Thiruvachakam and Dhivya Prabantham in temples.

DESH

The suppression of the senses releases a negative force. The process of sublimation needs a spiritual path. Rag Desh can provide that. Its positive energy gives one serenity, peace, inner joy, right valour, universal love and patriotism.

The mellifluous ‘Vande Matharam’ has been aptly composed in Desh. ‘Vaishnava Janatho,’ Mahatma Gandhi’s favourite, is set in Desh, which is a favourite in both Carnatic and Hindustani streams of music.

‘Shanthi nilava vendum,’ ‘Inda ulagil irukkum mandaril ezhil udayon engal tamizhan’ (M.M. Mariyappa for the film “Kanjan”), ‘Leelaigal purivane’ in the film “Meera,” ‘Thunbam nergayil’ in “Or Iravu,” ‘Maadu meykum kanna’ sung by Madurai Somu, ‘Muthamizhil Pada Vanden’ — that I composed for “Mel Nattu Marumagal” are well known examples in Desh.

« Part 4

Thyagaraja Aradhana ‘09 @ NIT Trichy

Posted by: eskay on: March 2, 2009

The Thyagaraja Aradhana is celebrated every year at saint – composer Thyagaraja’s samadhi at Thiruvaiyaru. Hundreds of Carnatic musicians pay their homage to the saint composer by rendering his `pancharathna kritis’ (five jewels of his renderings) in chorus on the banks of the Cauvery at Thiruvaiyaru.

In NITT, the Thyagaraja Aradhana is organized by Amruthavarshini, the Carnatic Music Club of NITT. Various professional musicians from Trichy and SriRangam participate in the Aradhana, along with students and faculty of the college. The Pancharatna kritis are sung in the same style as is done at Tiruvaiyaru, followed by rendering of Thyagaraja kritis by the artistes and students.

Amruthavarshini

Amruthavarshini

This year’s Aradhana was conducted on March 1st, in A23 hall. On the previous day, Ganamrutham, the music competition for school students, was conducted by the club. The prize winners were given a chance to perform on the day of the Aradhana. The children sang really well. They were accompanied on percussion and violin by the club members.

The artistes arrived by van at around 5: 30. After a brief introduction by Satish, the President of the club, the rendering of the kritis started.

Rendering of Pancharatna Kritis

Rendering of Pancharatna Kritis

The gathering - gents

The gathering - gents

The gathering - ladies

The gathering - ladies

The first song was Sri Ganapathini in Sourashtram. This song was followed by Gurulekha Etuvanti song. Then the five pancharatna kritis – Jagadanandakaaraka, Dudukugala, Saadinchane, Kanakanaruchira and Entharo mahanu bhavulu were rendered, under the guidance of Shri T.K.V.Ramanujacharyulu.

After the rendering of the pancharatna kritis, the winners of the Ganamrutham competitions received their prizes from the artistes. The programme concluded with a ‘banana leaf’ dinner.

It was a memorable evening, with loads of music to the ears and peace to the heart.

slumdog millionaire – should we celebrate the oscars??

Posted by: eskay on: February 26, 2009

Slumdog Millionaire has won the Oscars. And the country is celebrating. But do we have reasons to celebrate ???

The movie claims to depict passion and love and the courage to succeed in life despite all odds. But for a viewer, the more lasting impression out of the movie will be a disturbingly bad image of India. The movie shows the slums, unjust police, unethical reality show hosts, poverty, cruelty and miserable living conditions. Is that all India is all about?People believe what they see, even though it might be just a movie. What would a tourist, who has never visited India, think of this great country?

 

Slumdog Millionaire

Slumdog Millionaire

There is nothing to feel good about, in this movie… for an Indian

 

Movies are considered to be a platform to showcase the world about its diversity. And what has been shown in the movie is not the true India. This movie seems to have been aiming only at the awards, and not at people’s hearts. We must not fall for it.

Many Indian movies have scenes that are shot in foreign countries. How many of those Indian movies show the darker side of those countries? It is agreed that not all foreign countries have slums and not all countries suffer from poverty and unemployment in a very large scale. But every place has its darker side. The grass is never greener on the other side. And still we tend to seek the beauty in these foreign countries while we go there for a movie shoot. We probably should try something. Make a movie about the distasteful of the British, probably some huge national problem that their country is facing. And screen the movie in Britain theatres. And then expect it to be well received and sweep their box office. Will that happen?? This really is something to think about.

There is a difference between an Indian narrating the national problems in a movie and a foreigner doing the same. It would have been acceptable had these issues been depicted in a movie made by an Indian. This is because, only a true Indian can experience the spirit of India. Only a true Indian can share the suffering of a fellow citizen. Only a true Indian can live the life of an Indian and be proud of its varied culture. Any sensible Indian will agree that India is not what has been shown in the movie and it definitely is not a correct and complete picture of India.

Slumdog Millionaire claims to have extolled the ‘Spirit of Mumbai’. Has it really?? A British movie, made by a foreign director, with the lead role played by a person who has not visited India and who had had a tough time speaking with an Indian accent… I still am not able to comprehend how these foreigners claim to have experienced the Indian way of life in just a few months. 

India has loyal policemen and soldiers who are ever willing to lay down their lives for the nation. India has really good talent and excellent reality shows. India has places with scenic beauty. India is trying hard to alleviate poverty. India has a comparatively good economy considering the fact that the rest of the world is feeling the heat. India has a varied culture and good people. But, will we get an opportunity again to tell the world, “Hey, this is what India is… ” ?…

naan kadavul – the effect on me

Posted by: eskay on: February 22, 2009

After I came out of the theatre, it took some time for me to get back to the real world…or the reel one ?? We are sitting in front of our computers, probably in an air conditioned room, typing swiftly on our keyboards. This virtual world is what we christen ourselves as reality. And we require movies like “Naan Kadavul” to show us what is real, what the world is facing and how humans suffer. And when the movie thrusts so much truth into our eyes in a short span of time, we just are not able to accept it.

Naan Kadavul

Naan Kadavul

Aghoris … Have never heard of them before. The whole sight of them, their voice and demeanor gives me a shudder, even though I am just watching them on a huge screen, in a cinema. Humans who consider themselves God. They decide who goes to hell and who goes to heaven… One should never ask a question whether these are true. We will just end up losing the meaning of truth. And the definition of God. Everyone has God within. We decide….Hmmm…No. I’ll probably stop trying to explain things to my own self. Probably the movie was shot to leave such thoughts lingering in our minds as loose threads. 

The poor and handicapped beggars and their mafia leaders… Well, it is just another piece of reality. Next time we give beggars any money, we will be thinking twice about whom the money will be converging to. And it is more shocking than saddening to see money measured by weight. And humans being bought and sold. Has humanity completely disappeared from the face of the earth? The important point to be noted is that they too have love. The beggars live like a close-knit family. They show affection. 

A mixed feeling is what has been created by the visuals in the movie. We sometimes feel it is better not to know the truth rather than lamenting after knowing it.

Now about the ‘movie’ part of ‘Naan Kadavul’. When most movies that are released nowadays spin the same yarn over and over again, the boldness of director Bala to come up with such an idea and to make a movie out of it must bbe appreciated. No commercial elements at all. There are some humorous dialogues scattered around, which only partially succeed in distracting the viewer and preventing him from receding into a state of shock or disbelief or fear or whatever he might be going through. 

But then, the movie seems incomplete. One can feel a discontinuity in the screenplay. Something seems missing. The director has tried to have a story as a backbone. But we are often tempted to ask “Why?”. We dont ask “Why” when Vijay leaps 200 feet. We dont ask “Why” when Dhanush fells a bunch of thugs. We dont ask “Why” when science is defied. But we ask the question here. That probably is because, we can sense the director’s attempts to sprinkle fiction into facts, and not the other way round. The effort nevertheless, must be lauded. 

The aghori character was brilliantly portrayed by Arya. I initially could not believe that Arya was capable of such acting. A real hard work from his part. And he seems to have mastered “Shirshasana”.

Pooja was exceptional. Her role was a tough one. She was asked to wear opaque lens. She was really blind when she was acting. And that probably is the reason why the emotions are perfect. She looks small and thin in the movie, which has suited her character. Our heart really goes out to her character. 

Overall, the movie has touched so many emotions. It has made us to sit back and think. It has changed our perspective of the world. 

We see so much suffering around us. Wild superstitions, poverty, hunger, illiteracy, exploitation…an endless list. Tears ? Probably. What else ?? We just return to our worlds. We know we can try to change these. But are we going to try??

JavaFX workshop @ Pragyan ‘09

Posted by: eskay on: February 14, 2009

The JavaFX workshop was organized successfully as a part of Pragyan ‘09, The International Techno-management Festival of NIT Trichy. . It was a day long workshop organized by Sun Microsystems. The workshop was aimed at teaching how to use JavaFX software for developing rich Internet applications. The engineers explained how to use the technology to create animations and effects, add multimedia to applications, and incorporate Java software into JavaFX applications.

The response was really overwhelming. More than 500 students had registered for the workshop, and many of them were students from various colleges across the state. 150 registrants were shortlisted to attend the workshop, out of which 50 were from outside colleges. The workshop was conducted in the annexe lab in the Octagon Computer Center.

The session started with Kumar Abhishek giving a talk on Open Source technologies. He explained about how the world is shifting from the ‘information age’ to the age of ‘participation’. He cited examples to explain why the computing world is slowly moving towards open source.

We had three engineers from Sun, Mr. Elancheran, Mr. Srinivas and M. Praveen. The next few sessions were handled by them. A basic introduction to the world of JavaFX was given initially to the students. Various features of the technology was explained. Brief demonstrations were given to show how JavaFX functions as an expressive rich client platform for creating and delivering rich Internet experiences across all the screens of our life.

The next session was regarding the JavaFX Script, the scripting language used in creating JavaFX applications. Sample programs were provided to explain how the language is an object oriented, integrating easily with Java with automatic data binding. The demo programs explored a wide range of features of the language.

The next session was the hands-on session where the students tried their own code and came up with really innovative applications.

Occasionally, questions were asked and prozes were awarded to the students who answered the questions. T shirts, pens and keychains were presented to the students. The best application received a Transcend Flash drive as an award.

Members of the Sun Club helped in organizing the workshop and ensuring that the things went on smoothly. The students feedback also was good. Certificates were given away to the students who attended the workshop.

Keeping in mind the success of this workshop, many more workshops on open source technologies are being planned in NIT Trichy. It is always a great experience to organize a huge event successfully.

slowdown

Posted by: eskay on: February 13, 2009

Pragyan ‘09 – design, posters, pamphlets, brochures, invites, cards, banners, backdrops … Workshops, JavaFX, website management, registration, osum, software installation, hall arrangement, projector, screen, transport for guests, publicity, cd distribution, certificates, reports … Sun Club – formation, induction, question paper setting, evaluation, team, meetings, projects, Netbeans, Opensolaris, Java, website development, cms, svn, member certificates, workshops, Java ME, permission letters, posters, reports … Vortex – design, workshop, flash programming, logo … Music Troupe – Saarang, new songs, compose, notes, practice sessions … Academics – class notes, photocopies, CPCs, cycle tests, class tests, CAT classes, seminars, assignments … Entertainment - Movies, Serials, Boston Legal, Heroes, NFS, slumber, novels, newspapers, BusinessLine, blogging …

Oh God … I really need to slow down …

Sun Club of NITT

Posted by: eskay on: February 1, 2009

And finally, the Sun Club of NITT is formed with 20 enthusiastic students interested in learning and developing open source technologies. The club has been formed with the support of Sun Microsystems. I am presiding over the club as President with Aswin assisting me as Vice President. Prof. N. Ramasubramanian, HOD, Dept. Of CSE is the Faculty Advisor.

Sun Club Logo
Sun Club Logo

The Club Logo was designed by Sharadh. It has an ‘O’ in green and an ‘S’ in black. They represent ‘Open Source’. The empty block in the centre also denotes that it is really open, for the community to explore, innovate and develop.

Students were inducted into the club based on a written test. The question paper was set by me and Aswin. It had four sections – aptitude, basic computers, algorithms and java. Most questions were picked from good sources including CAT papers, SCJP sample papers, etc. The test duration was 90 minutes.

The inductions went on very well. Room CSE301 was arranged to conduct the test. 75 students registered for the written test –a very good number considering the fact that the club is a newly formed one.

And then came the huge task of paper evaluation. I learnt a lot of new ideas while evaluating the papers. Innovative ideas and ingenious solutions to questions which I had previously considered to be having only a single approach to a solution. The marks were tabulated and 18 students were selected.

The first formal meeting was held. The students were divided into 5 teams:

  • Core Java
  • Java ME
  • Netbeans and MySQL
  • Opensolaris
  • Web designing

Each team is now working on a separate project apart from assisting during workshops and other events.

It is great to see a new club emerging in NIT Trichy. A community of members interested in learning and developing open source technologies…

“Human knowledge belongs to the world”

Peace and Prosperity with Ragas – Part IV

Posted by: eskay on: January 20, 2009

[ This series of six posts are excerpts from my Guru, violin maestro (late) Dr. Kunnakudi Vaidyanathan's interview with 'The Hindu'. The therapeutic effect of music has been elucidated ]

AABERI

Once upon a time it was considered a sacrilege to use Carnatic music ragas to compose film songs. This in spite of the  fact that artistes were chosen only based on their training in classical music. Stories were narrated mainly through dance and music. Thus Carnatic singers made an entry into cinema and became quite popular. Carnatic ragas were  adapted with telling effect. One of them was Aaberi. Almost all the songs set in Aaberi were super hits. `Nagumomu’ of saint Tyagaraja is still a popular choice of Carnatic lovers. Mysore Vasudevachar has presented `Bajare manasa’ in the same raga. Both ragam and the lyrics are bound to give a healing touch to the perturbed mind. ‘Singaravelane Deva’ (”Konjum Salangai”), ‘Vaarayo Vennilave’ (”Missiyamma”), ‘Amaidhi Illada Maname’ (”Pathala Bhairavi”), ‘Malarndum Malarada’ (”Pasamalar”), ‘Kannodu Kanbadellam’ in “Jeans” and ‘Gomatha Engal Kulamatha’ (”Saraswathi Sabatham”) are some of the enchanting songs set in Aaberi. I have a special love for Aaberi because ‘Thiruparang-kundrathil nee sirithal’ was a curtain raiser to my cinema entry!

CHARUKESI

The raga rejuvenates the mind helping one to age gracefully. It enlivens the singer and the hearer. The success of the  song, `Manmatha leelayai’ sung by MKT confirms Charukesi’s poetic and phonetic vitality. `Adamodi kalathe’ by Tyagabrahmam. `Kripaya palaya’ by Swathi Thirunal are noted for their aesthetic values. `Aadal Kaaneero’ in “Madurai Veeran,” `Vasanthamullai pole,’ `Adal Kalaye Devan Thandadu’ in the film Sri Ragavendra, `Unakkum Enakkum Isaindha Porutham’ (of Ramalinga Adigal) are some of the hit songs in Charukesi.

« Part 3


Peace and Prosperity with Ragas – III

Posted by: eskay on: January 12, 2009

[ This series of six posts are excerpts from my Guru, violin maestro (late) Dr. Kunnakudi Vaidyanathan's interview with 'The Hindu'. The therapeutic effect of music has been elucidated ]

KALYANI

Kalyani dispels the darkness of fear. It gives motherly comfort and increases confidence. Kalyani means Mangalam. Recited with faith and devotion, the raga is believed to clinch marriage alliances. There are many authentic reports about the raga’s power to destroy fear which takes many forms, fear of poverty, of love, of power, of ill health, of death and so on. The great Tamil poet, Muthuthandavar sang “Chidambaram Ena En Manam Maghzinthida Japam Cheyya, Kodiya Janana Maranam Ozhinthidum” in Kalyani. Tyagaraja, unmoved by the request of the King of Thanjavur to compose a song in his praise, instead sang ‘Nidhi chala sukama, Ramuni sannidhi seva sugama’ in Kalyani. The raga bhava suits its emotional keerthana bhava. Shyama Sastri in ‘Himadrisude Pahimam’ appeals to Devi for a continuous flow of energy. Muthuswami Dikshithar has given a treasure in the Kamalambal navavarnam which acts as a shield, protecting one from the ill effects of planetary movement. In those days, Kalyani was very popular in the film industry. Pakshi Raja Films produced a film, “Kannika”, for which Papanasam Sivan wrote ‘Sundareswarane’, a super hit. I tuned a devotional song, ‘Kaatchi Thanthu Ennai Aatchi Seyvai Amma’, in the raga. ‘Chindanai Sey Maname’ and ‘Mannavan Vandanadi’ are some of the famous songs in Kalyani.

KARAHARAPRIYA

Karaharapriya is an excellent remedy for worry, distress and neurotic disorders. Tyagayya dissolves himself in the raga as he sings “Chakkaniraja.” ‘When the royal road is available with all the comfort, why do you opt for dreaded lanes and bylanes’ asks the saint.

Another Karaharapriya song ‘Mithri Bagyame’ counts the blessings of Sita and Lakshmana for being lucky enough to be nearer to Rama for his beck and call, and longs for the same proximity. Muthuthandavar sang in ecstasy, ”Maayaviddhai Seigiraane Ambalavanan.” Many music composers have used Karaharapriya in their films to convey sentiments. Rajeshwara Rao used it to express the lovers’ mood in the song `Ariya Parumavada Madana.’ Earlier, ‘Bagavan Avatharippar’ composed by S. M. Subbaiah Naidu for the film “Valmiki” was also a hit. Another superhit is ‘Madhavi Ponmayilal.’ For “Agathiyar,” I composed ‘Esayay Tamizhay Iruppavane.’ 

« Part II

what’s in a name ??

Posted by: eskay on: January 3, 2009

Karthik being my name, I have often wondered what is in my name? It is a name that is very common and is also the name of Lord Muruga. But were they the reasons why my parents christened me Karthik? Or was there any other significance to my name? I asked my dad.

SANKAR – my dad’s name.
SHANTHI – my mom’s name.

The last three letters from both names, when concatenated, gives KARTHI. And thus my name was formed…a part of both my parents’ name!!! I own the last ‘K’ though, and hence own the name KARTHIK.

Nice concept na ?? Probably I must pass on the legacy too…

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remembering 2008

Posted by: eskay on: December 31, 2008

The year 2008 was an eventful year for me. This was an year which provided me with loads of opportunities and challenges. This year played a significant role in crafting the course of my life in the right direction. 

I got the chance to do an internship at IIT Madras during summer. I learnt loads under the guidance of Dr. C. Pandurangan. I studied about cryptography and advanced algorithms. Those two months helped me learn loads and improve my knowledge. 

Probably the first ever interview I had faced was the telephone interview for the post of Campus Ambassador for Sun Microsystems. After a few initial confusions, I was selected. And then I was called to Noida for a three day training programme. This trip turned out to be the one most memorable trips. The trip helped me learn loads, enjoy loads and also brought me loads of friends. It was an event which i will never forget. I am working for Sun, conducting workshops and seminars in college and also utilizing this opportunity to learn and improve. 

The next interview was for the Goldman Sachs summer internship. Almost 200 students wrote the written exam out of which 16 of us were selected for the next round. The group discussion round was the first for me. Then came the interview, which was conducted at 12:30, midnight !! I really liked the interview session, remained cool and answered the questions. I liked the smooth way in which the conversation proceeded in the room, despite it being a really odd time of the day. When they announced that I was one among the five who were selected for the summer ‘09 internship, I literally jumped in joy…

Probably the most unexpected jolt was my dad’s transfer to Thanjavur. It is really hard for anyone to bid goodbye to Chennai. We had to forgo loads of things – music concerts in sabhas, the beach, weekend dinner at hotels, meeting friends, visit to temples… The shift from the vibrant energetic and musical life of Chennai to the rather silent and boring life of Thanjavur was really difficult. 

Music suffered a great setback this year. On September 8, my Guru, Padmashri Dr. Kunnakudi Vaidyanathan passed away. It still pains me to think that he is gone. He was the master who brought out the talent in me. He provided me loads of opportunities to accompany him on the violin. I performed many concerts in 2008 along with my Guru, in Bangalore, Andhra and Tamil Nadu. In fact, I even accompanied him in his last public concert. His demise has been a great loss for me, for all his students, his family and the world of music.

The Thyagaraja Aradhana was conducted in my college. Along with the event, competitions were also orgaized for the school children. I was also made the vice President of Amruthavarshini, the Carnatic Music Club of NITT. I was also included as a member of the Music Troupe of my college. Then there was the JIPMER culturals in September where our college team won the first place in the instrumentals category in which I participated. But there is more to it. The event brought me and my childhood friend together…

My first trip to Chennai after shifting residence to Thanjavur was on December 21. I had been to Chennai for a concert at Kunnakudi Hall, Raga Research Center. December 21 and 22 were two of my happiest days. On those two days I met all my friends in Chennai, spent time with them after a really long time. I only wish I will meet them again soon. 

And the last day of 2008, today, my semester results….9.73.. much more than what i expected… 

 

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Peace and Prosperity with Ragas – Part II

Posted by: eskay on: December 19, 2008

[ This series of six posts are excerpts from my Guru, violin maestro (late) Dr. Kunnakudi Vaidyanathan's interview with 'The Hindu'. The therapeutic effect of music has been elucidated ]

SHANMUGAPRIYA

Shanmugapriya has the effect of sharpening the intellect of the singer as well that of the listener. It instills courage in one’s mind and replenishes the energy in the body. This is not surprising. Shanmugapriya being the beloved raga of Shanmuga, who was born out of the blazing wisdom-eye of Shiva. I would attribute the success and prosperity I have attained in life to the constant chanting of Shanmuga stothrams in the Murugan temple of Kunnakkudy. “Parvathi nayakane,” “Saravanabhava Ennum Thirumanthiram” of Papanasam Sivan are known for their sparkling verses. Harikesanallur Muthaiah Bhagavathar’s “Vallinayakane” is another example. Shanmugapriya was beautifully used to make the song “Maraindirundu Paarkum” in the classic “Thillana Mohanambal” immortal.

SANKARABARANAM

The power of Sankarabaranam is incredible. It cures mental illness, soothes the turbulent mind and restores peace and harmony. Sankarabaranam, if rendered with total devotion for a stipulated period, can cure mental disorders said to be beyond thescope of medical treatment. Arunachala Kavirayar, Muthuthandavar, Suddhananda Bharathi, Marimutha Pillai and Mayooram Vedanayakam Pillai, have rendered many sweet compositions in the raga. Sankarabaranam has the power to shower wealth. Papanasam Sivan’s `Mahalakshmi Jaganmatha’ is a gem in this raga. Muthuswamy Dikshithar equates Sankarabaranam with `Akshayapathram,’ which supplies endless bounty in all forms. `Akshaya Linga Vibo’ composed by him is a popular kriti.

« Part 1

searchWiki vs. Egosurfing

Posted by: eskay on: December 16, 2008

Many a times I have typed my own name, ‘Karthik Sankar’ in the Google search bar to find where my blog or website is listed. Sometimes it features as the fourth best, but sometimes it appears only in the second or third page. I have always felt happy when my page is listed with a better rank. But when it moves down the ranking, I have always thought of doing something to improve, probably add my name some fifty odd times in the <META> tag ??? But oops, Google does not use META for indexing !!!

Now Google has introduced searchWiki. It gives me an option to rank the pages, promote them to the top, add pages that are relevant to the search term, delete pages from the search results and so on. Nice idea !!! Now I can promote my website to the top…

But then I learnt, the changes made are visible to my eyes only. The preferences are stored in my Google account. Hmmmm… So even now, my site will feature in the second or third page only, if someone else searches for my name. Still, some consolation for me. I will find my name right on top when I go egosurfing again !!

The preferences are not completely personal. Google allows us to add comments to the webpages. These comments, along with the details about the number of times the site has been promoted or demoted, is available in the “Search all notes for this searchWiki” link.

searchWiki is really a powerful and useful addition to Google search. If I search for a term and the website I needed is listed somewhere down the order, I can make sure the next time I search, it is right on top. Really useful, except for people like me who do Egosurfing. I probably must log out and then search for my name….

Peace and Prosperity with Ragas – Part I

Posted by: eskay on: December 10, 2008

[This series of six posts are excerpts from my Guru, violin maestro (late) Dr. Kunnakudi Vaidyanathan's interview with 'The Hindu'. The therapeutic effect of music has been elucidated ]

trinity

Trinity of Carnatic Music

BHILAHARI

BHILAHARI is associated with love.  ‘Naajeevadara’ of Tyagaraja in this raga has always been popular. The saint, it is said, composed this in order to alleviate the acute stomach pain a man was suffering from. His prayer was answered and the man had relief. ‘Krishnaleela Tarangini’ of Narayana Tirtha has the song `Poorayamamakamam’ in Bhilahari. The saint cries out, “Hey! Gopala, bestow me with all the goodness so that I can continue to sing your praise”. This Bhilahari song ensures one vigour and good health.

In “Konjum Salangai” Ramalinga Adigalar’s bakthi verses ‘Orumayudan Unadhu’ set in Bhilahari and rendered by Sulamangalam Rajalakshmi was a popular hit. Another popular song is ‘Unnai Kandu Naan Ada Ennai Kandu Nee Aada’ from “Kalyanaparisu”. “Thalaiva  Thavapudhalva,” the song I composed for the film “Agathiyar” was set in this raga. The Hindi song “Korakagaz” (”Aradhana”) owes its melody to the charm of Bhilahari.

RATHIPATHIPRIYA

Rathipathipriya adds strength and vigour to a happy wedded life. This five-swara raga has the power to eliminate poverty. The very prayoga of the swaras can wipe off the vibrations of bitter feelings emitted by ill wills. ‘Jagajanani Sukavani Kalyani’ composed by M. M. Dhandapani  Desikar is a very popular song in this raga. Singing or listening to Rathipathipriya bestows on one happiness and has a stimulating effect.

how safe are we?

Posted by: eskay on: December 5, 2008

How safe are we? Can we be confident that we will not receive a bullet to our chest? Can we tell with certainty that every time we go to a market, we would come out intact; every time we board a train, we would alight too; every time we check in at the reception desk of a hotel, we would check out too? How sure are we that when we go to bed every night, we would wake up the following morning?

Every one of us lives in fear – A fear that our most precious possession – life – might be lost; a fear that we might be victims of terrorism; a fear that we are incapable of defending ourselves. And this is the same fear that incapacitates the brave in us. We can also say that this is the same fear that is being exploited by the inhuman killers.

We know that no one has the right to kill another human. No one has the right to take away the life of a fellow human being.  The world is ours and life is our gift. It is the duty of every human being to ensure that the world is a safe place to  live in. We must safeguard ourselves and our fellow humans. We must be brave, face our enemy and win them. Yet we hesitate to come out of the cocoon called fear. We hesitate to stand up against the evil. We hesitate to fight terrorism.

No one was born with the ugly paint called terrorism. No one enters this world as a terrorist. It is the world around him that changes him into one. Every one has a family. Every one has someone to care for. Every one has a human within. But the good is being blinded by the bad. People are brainwashed to believe that terrorism is the only way to solve the problems the world faces. They are made to believe that killing is the only means to teach someone a lesson. They have been pushed to the extent of calling this ‘liberation’. This is a war, a deadly battle.

But this is not a war between countries. This is not a battle between religions. This is an attack on humanity. It is our unity that is being put to test. The integrity and the secularity are being tested for their strength. If we break down or split apart under such stressful situations, then we stand to lose. The purpose of such brutal terror acts will be achieved. Their motive will be fulfilled. We must not present any opportunity for this. We must stand united. We will never be able to make an effective protest until we achieve solidarity.

We will not be safe if we lock ourselves up in our rooms. We will not be safe if we wait for someone else to take action. We will not be safe unless we overcome our fear. There is no use in worrying about the past or waiting for the future. We must learn from our past, act in the present to make the future a safe one. If we are not ready for this battle, then we will be forced to stop every person we meet on the streets and ask, “Sir, I’m concerned. Are you a terrorist?” ..

 

 

SENSEX – my understanding

Posted by: eskay on: December 3, 2008

What is the buzzword now in India? The SENSEX. All that I knew a few weeks back was that the Sensex was at 21000 points, and now it is at 9000 points. What exactly are these points? How are they calculated? What is Sensex? What is happening in the financial world? A quest for answers to these questions helped me in understanding the market scenario. Now when I watch NDTV Profit, I am able to understand what they are speaking about!!!

A small story…

Suppose I buy a hotel, say for 50 lakh Rupees Then I manage the hotel successfully for one year with high profit, say 10 lakh. The profit continues for the next year also. So the establishment can be considered as an investment which gives profit in interest. Now how much is my hotel worth? If I plan to sell, there might be a buyer who might offer 100 lakh, considering the fact that the hotel is already running successfully yielding a profit of 10 lakh, and the profits might increase. So I plan to sell it at 100 lakhs.

There might be 10 buyers willing to buy. But none has 100 lakh. So, I plan to sell ’shares’ in the hotel. I can sell one share at 10 lakh to each of the ten buyers. Or I can divide the ownership into 1000 shares, at 10000 each. Or I can have 500 shares for myself and sell the others. This will help me retain a majority of shares, and remain in control of the hotel establishment. This is the basics of what shares are.

A different scenario. I need to start a hotel. I don’t have money to invest. So I request the public for money. This is called initial public offering. I can sell 1 lakh shares at 50 Rupees each, to get 50 lakh “Rupees immediately. This money I use to build and establish a hotel. The first year I get a profit of 10 lakh. I can do two things with this. I can share the profit with all shareholders, giving a ‘dividend’ of 10 rupees. Or I can save profits for further development of the company, which in turn will increase the company’s value and the share value. A shareholder can then sell his share and get profit (or loss, if the company’s value goes down)

Shares of public companies are bought and sold in stock exchanges. The BSE is the oldest and the largest stock exchange in India. The index that BSE uses is called the Sensex.

Free float market capitalization

An understanding of the Sensex requires the knowledge about ‘free flow market capitalization’. The word ‘capitalization’ or ‘market capitalization’ of a company refers to the ‘net worth’ of the company. This includes the total assets of a company. This is actually equal to the share price times the number of shares outstanding of a public company.

All shares of a public company will not be available for the public to buy or sell. Some shares might be held by the founders or directors, the government might own some shares, associate companies might own some, and so on. The free float shares refer to the shares that are available for trade in the open market. The free flow market capitalization is the total value of all shares that are available for trade by public.

Specifically, the following categories of holding are generally excluded from the definition of free-float:
• Shares held by founders/directors/ acquirers which has control element
• Shares held by persons/ bodies with “Controlling Interest”
• Shares held by Government as promoter/acquirer
• Holdings through the FDI Route
• Strategic stakes by private corporate bodies/ individuals
• Equity held by associate/group companies (cross-holdings)
• Equity held by Employee Welfare Trusts
• Locked-in shares and shares which would not be sold in the open market in normal course.
The remaining shares come under the free-float category.

Free float factor:

The percentage of free float shares among the total number of shares is calculated for every indexed company, based on the information specified by them regarding their shares. This percentage is rounded off to the higher multiple of 5. The corresponding fraction is the free float factor.

Let 43% of all shares come under the free float category.
43% when rounded off to the nearest multiple of 5 gives 45%
The corresponding factor is 0.45.
The free float factor is 0.45
This free float factor means that only 45% of the total market capitalization of the company will be taken for index calculation.

SENSEX Calculation

Sensex is calculated taking into consideration stock prices of 30 different BSE listed companies. This means that the level of index at any point of time reflects the market value of its 30 component stocks relative to a base period. The year 1978-79 is considered as the base period and the base value has been set to 100 index points.

Sensex value = Current free-float market value of constituents stocks / Index Divisor

The Index Divisor adjusts the original base period of the Sensex to its present level. The Divisor is the only link to the original base period value of the Sensex. This keeps the Sensex comparable over time.

The calculation is ‘claimed’ to be simple, involving basic mathematical concepts of ratios and proportions. If the free-float market capitalisation is Rs 9,00,000 crore and if the Sensex value is 14,500 — then, for a free-float market capitalisation of Rs 9,50,000 crore, the Sensex value will be 15,306.
9,50,000 x 14,500 / 9,00,000 = 15,306 (approx.)

[ Not much is known about the Index Divisor value. The value has not been released publicly, and there are doubts whether the divisor is a true constant or not. As far as I know, the value lies somewhere close to 64. ]

Reliance Data Card in Ubuntu 8.04

Posted by: eskay on: November 29, 2008

Reliance data card ( Huawei ) works really well in Ubuntu, and getting it to work is very easy.

All that one must do is to plug in the USB modem and edit the /etc/wvdial.conf file:

Step 1: Edit the /etc/wvdial.conf file by typing in the following lines

[Dialer Defaults]
Init1 = ATZ
Init2 = ATQ0 V1 E1 S0=0 &C1 &D2 +FCLASS=0
Modem Type = Analog Modem
ISDN = 0
New PPPD = yes
Phone = #777
Modem = /dev/ttyUSB0
Username = **********
Password = **********
Baud = 460800
stupid mode = 1

The username and password generally would be the Reliance number.

Step 2: Run (as root) the following command from terminal:

wvdial /etc/wvdial.conf

The output will be similar to the following:

--> WvDial: Internet dialer version 1.56
--> Warning: section [Dialer /etc/wvdial.conf] does not exist in wvdial.conf.
--> Cannot get information for serial port.
--> Initializing modem.
--> Sending: ATZ
ATZ
OK
--> Sending: ATQ0 V1 E1 S0=0 &C1 &D2 +FCLASS=0
ATQ0 V1 E1 S0=0 &C1 &D2 +FCLASS=0
OK
--> Modem initialized.
--> Sending: ATDT#777
--> Waiting for carrier.
ATDT#777
CONNECT 230400
--> Carrier detected. Starting PPP immediately.
--> Starting pppd at Sun Nov 30 09:34:55 2008
--> Pid of pppd: 11854
--> Using interface ppp0
--> pppd: h�[06][08]p�[06][08]
--> pppd: h�[06][08]p�[06][08]
--> pppd: h�[06][08]p�[06][08]
--> pppd: h�[06][08]p�[06][08]
--> pppd: h�[06][08]p�[06][08]
--> local IP address 220.226.8.49
--> pppd: h�[06][08]p�[06][08]
--> remote IP address 220.224.135.10
--> pppd: h�[06][08]p�[06][08]
--> primary DNS address 202.138.103.100
--> pppd: h�[06][08]p�[06][08]
--> secondary DNS address 202.138.96.2
--> pppd: h�[06][08]p�[06][08]

Now you can browse the internet…

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